Rydell Saga

From AIOWiki
Jump to navigation Jump to search

The Rydell Saga is a current storyline that follows its namesake, Morrie Rydell. Morrie’s underlying plot is currently unknown, with only 6 episodes hinting at it.



#802: “Parker for President”

Morrie is introduced in this episode. He admits that he’s new to Odyssey, and Zoe says that he’s been a student campaign manager twice at his previous school (which was overseas), with both candidates winning by landslides. She says that his previous school’s newspaper reported that he had “an uncanny ability to understand how to get someone elected.” When asked about it, he says, “I’ve retired from politics. …Politics is tough business. People can get ugly. I’ve seen it.” He eventually acquiesces to run Olivia Parker’s campaign, during which he proves his campaign talent to the other kids, who admit that he’s good.

In response to what Zoe should write about during the peaceful campaign, he says, “Unfortunately, campaigns that seem to get the most press are the ones where the candidates stir up controversy.” Eventually, this does happen between the two candidates (Olivia and her brother Matthew) after Emily Jones (Matthew’s campaign manager) receives a note in her locker about one of Olivia’s campaign meetings, put there by someone who “somehow got the combination to [her] locker.”

At the end, Emily, who didn’t run, is elected by a write-in vote. Principal Vogler says that the vote was driven by someone who sent out texts and emails promoting Emily, but no one knows who it was. In Morrie’s final conversation with Olivia in this episode, he says that he thinks Emily will make a good student body president. Olivia agrees. “Then I guess it ended up like it should,” he remarks before subtly chuckling. He leaves to go meet his sister.

#804: “The Key Suspect”

Emily Jones and Matthew Parker attempt to solve a mystery that starts with all 300 lockers at Odyssey Middle School standing open one early morning, with none of the contents disturbed or stolen. Dion Farkus walks up, asking why all the lockers are open and saying that he’s at school early for reasons that are “none of your business.” He is Emily’s first suspect, and her initial theory is that he opened the lockers and just pretended to be arriving. Matthew is obliviously staring at Morrie Rydell’s adopted sister, Suzu, saying that she just moved to Odyssey, he thinks from Japan. Suzu introduces herself, telling Emily that people have said that Emily is very clever and has done very fine work as a detective.

Later, Morrie tells Emily (“our new student body president”) that he loves watching detectives “put the pieces together” and is impressed by Emily and Matthew’s work. He says that although he’s not good at solving mysteries, his sister is. He bets that they’ll find out what’s going on with the lockers.

The two gumshoes learn from Principal Vogler that there are two ways the lockers could have been opened: a list of combinations (guarded by the school secretary) or a master key. Two master keys exist: he has one and Mr. Redekop, the janitor, has the other, and both were accounted for. The school alarm system didn’t go off, either.

The next morning, all the lockers are open again, with nothing stolen. Emily thinks that the perpetrator is telling them, “I’m smarter than you. Try and catch me — if you can.” They skip lunch to talk to Mr. Redekop, who is already talking to Dion, telling him about his cleanup schedule and that he leaves work at 8:00 P.M. Dion scuttles off. Mr. Redekop says that the security system is sets of contact sensors on the doors and windows. He also recalls that Morrie suggested that a hidden camera be set up on a locker at the end of a hallway near the back door in order to catch the locker-opener. He then hands Emily an envelope addressed to her that he found by her locker. It says:

There the pale night queen,
so patient, ever watching,
she sees the pane yawn.

Matthew and Emily decode it to mean a window opens in moonlight, deciding that it’s a message from the mischief maker and that there’s no way Dion could have come up with it. They find a window in a storage room with a broken lock and fiddled-with sensor. They hide as Suzu opens and closes the window. Emily decides that Suzu is the culprit, seeing as their clue was a Japanese haiku. After school, Suzu buys key blanks, a combination lock, and a dial caliper at a hardware store before heading home.

The next morning, many (but not all) of the lockers are open, disturbed, and stolen from. Principal Vogler talks to Suzu, who explains that she solved the locker incident: she created a master key for the lockers with the items she purchased, to see if it was possible. She had found footprints outside the window, and the previous night, she watched Dion enter by it and followed him in, seeing him open several lockers with a key and steal some items. Dion protests that the key was put in his locker yesterday and he was just trying it out.

Principal Vogler declares the case closed, but Emily believes that there are too many unanswered questions.

That evening, Suzu confronts Morrie, asking why the lockers would be open but not stolen from the first two nights and who really did it, if not Dion? “Beats me,” he replies. Suzu counters, “A great deal can be learned from examining a person’s possessions… but what could be done with such knowledge? …Please tell me you had nothing to do with the locker incident at school.” “All right,” he answers, “I’ll tell you that.” “We don’t want things to… go awry again?” Suzu warns. “I want to do what is right, for our new friends, for our family.” Morrie assures her that everything’s good.


#833: “The Secret of the Writer's Ruse”

Emily runs into Morrie at the library and both drop their books. While Matthew and Emily help pick them up, Morrie says he's doing research for a big school report on the Nazi Enigma machine. Emily shows him her book, a mystery novel by Mary Malloway. Morrie picks a book off the floor and says it must be Emily's, since it's also written by Malloway. Emily and Matthew inspect the book, Writer's Ruse, by Mary Malloway, with the author's picture on the back. "Isn't it nice when you come across something new by a favorite author, espec—" Morrie starts to say, but Emily interrupts, claiming that the book "could be the literary find of the century."

Inside Emily finds a handwritten inscription, which Matthew says should be checked for authenticity: “My Darling Magpie, Ann West and her missing eleven days will soon and sure lead you out of the maze. If you need help, there’s more to come from the pictures with meaning behind them. Love always, Auntie Mary, June 1975” (when Malloway died).

Emily identifies Ann West as a British spy novel author. She also notes that although the inscription reads “Auntie Mary,” Mary was an only child. The book looks like a self-published manuscript, likely the only copy and thus more valuable. Emily finds the code "DBFE23" on the book, a library donor code. She and Matthew split up while Morrie declines to help: Emily heads to Whit's End to ask Whit about the code and Matthew starts research on Ann West.

At Whit's End, Whit talks to Emily about the nature of secrets while his computer loads. After it does, Emily attempts to check the book number, only to find it replaced with Encoding the Enigma, Morrie's book. Whit suggests that Morrie just got the two confused. Emily remembers the donor code, and Whit says it means "Donor Base - Fergus Estate - Lot 23."

Matthew finds Eugene at the library, who tells him about Ann West. Eugene says that her novels were so detailed that some suspected that she was a spy herself. Her "missing eleven days" were a time period in December 1955 when Ann completely disappeared, and she claimed to have no memory of where she was.

Emily returns and she and Matthew find the Fergus Estate file in the library's records. The Fergus Estate had donated several books, but Lot 23 was donated on June 30, 1975, a few days after Malloway's death. Dr. Nancy Fergus donated a large sum of money as well. Emily and Matthew decide to check back issues of the Odyssey Times.

While Matthew heads to the Times, Emily looks all over Odyssey for Morrie, to ask about the manuscript, but can't find him. She meets up with Matthew, who has found a picture of Nancy Fergus with Mary Malloway and Nancy's daughter Maggie. The picture was dated December 5, 1955, during Ann West's missing eleven days! Also, Matthew notes that Maggie Fergus could be "My Darling Magpie," from the inscription. He says that when Maggie was married (with the surname Fredericks) she taught at Odyssey Middle School with Whit. Whit gives Matthew and Emily the address where Maggie lives.

At her house, Maggie Fredericks explains that she always called Mary "Auntie Mary" because she was close to the Fergus family. Maggie then shows the pair of detectives a photo album titled "Pictures with Meaning Behind Them," from Mary herself. "So, what's behind them?" Emily asks. With permission, she removes the pictures and finds writing on the back, which Maggie asks her and Matthew to read. The pictures tell the story of how Maggie was actually adopted by a British spy named Charlotte who found Maggie, the daughter of a spy "from the other side" who had died, in a hotel room. Charlotte changed her name to Nancy Fergus and moved to Odyssey, with the assistance of Ann West, over an eleven-day period. How does Mary Malloway know this? She was both herself and Ann West.

"Wasn't that a satisfying mystery?" Maggie observes. Emily and Matthew call Maggie's bluff by pointing out that if Mary-slash-Ann was trying to be secretive, why would she stop for a newspaper picture? And no one noticed that Mary and Ann look exactly the same? And Mary took pictures during her trip to America even though she was in hiding? And, after learning that she was adopted by a spy and her best friend covered up her heritage, the first thing Maggie says is "Wasn't that a satisfying mystery?"

Suddenly, Whit, Eugene, and Morrie emerge from the shadows. Morrie explains that the four of them (including Eden Hope, aka "Maggie") were following his plan to encourage Emily and Matthew during a dry spell for their detective agency. Eugene planted the info at the library, Dale Jacobs allowed the Times records to be forged, and Connie took the fake photographs. The two detectives thank him for setting it all up. Then Morrie hands over the (fake) Writer's Ruse manuscript. In narration, Matthew says "No one can uncover secrets like Jones & Parker!"

"I have to admit," Morrie types, "they were good. It was a risk to show them a page of my playbook like that, but … it was worth it to see if they could keep up with me. And, of course, they couldn't." He chuckles. "No one could. I shouldn't have expected that anyone would be that good. Not in this town…"

"Dear Lord," Whit prays, "there was something about that moment that wasn't … right. Morrie said he wanted to make Emily and Matthew ‘feel better’." He exhales. "There's more to it than that. There's a secret here that … feels unsettling. You're the revealer of secrets, Lord. If there's something more to this, something I need to do, please … make it clear to me."


#853: “The Good in People”

Olivia Parker and Suzu Rydell have been made the Odyssey Middle School Drama Club's president and treasurer, respectively. Olivia was chosen because of a promise she made about going to the drama festival at the state capital. Talking to Mr. Whittaker at Whit's End, she says the team is the best group they've ever had, but the club hasn't gone for the past two years because of a lack of funds. The entry fee is $50 per student, with ten students in the club; half of the $500 fee is required up front, by the end of the week; and the rest of the balance is due in two weeks. Olivia thinks they can raise the money; she raised that much for a church program (although the program ended up fully funded without her money, so she hung on to it for later). She asks if Mr. Whittaker can help, and though he says he doesn't believe it was a good idea for Olivia to make a promise like that, he replies that he'd be happy to be a chaperone, spread the word, and set up a collection jar. Then, Morrie walks up and asks Suzu if she's ready to go home. She is, and the two of them leave.

Suzu tells Morrie that she believes raising the $500 will take a miracle. Morrie says "Hmm." Then he chuckles. "What?" Suzu asks. "Just thought of something funny," is the reply.

The next morning, Olivia receives a call from a man named Jordan Winword, who claims he's from an organization called the Student Project Fund. He's willing to provide matching funds for the school drama club to go to the state festival, and although he's not allowed to reveal his source, he says he has it on a good word that Olivia has an excellent team this year and that the club hasn't been able to go for the past two years. Olivia finds it suspicious, but the guy tells her that all she needs to do is text him the entry form after she submits her half of the fee, and the Student Project Fund will pay the rest online. He says he won't contact Olivia until he gets her text.

At school, Olivia tells the club about her call from "the guy." Zoe Grant notes that while the website for the Student Project Fund looks legitimate, it's still weird. Morrie agrees and says they should ignore the guy; he's just a complete stranger. Suzu, however, points out that the guy mentioned parts of the conversation at Whit's End: where the festival is, how good the team is, and the two years since they'd been to the festival. Olivia has an epiphany: what if the guy was hired by Mr. Whittaker? Though he said Olivia shouldn't have promised in the first place, Mr. Whittaker wouldn't be giving them money outright; they'd have to work for it. She convinces the rest of the group that they can raise $25 a piece in a week as long as they work together. And they do!

Olivia texts the guy about his half of the fee. At first she thinks he's just a little busy, but a whole week goes by with no response. She decides to find out what's taking so long, so she goes to Whit's End (where she finds Morrie) to ask Mr. Whittaker about the money. He greets her and Morrie, Morrie leaves to wait out front, and Olivia subtly mentions how busy it seems. Mr. Whittaker suddenly remembers and says, "You're here for the money for the drama club, aren't you? … I'm so sorry; you're right! I forgot all about it!" He drops a jar of coins on the counter. "But this isn't enough!" Olivia tells him. "What about the promise? … the matching funds?" Confused, Mr. Whittaker asks what she's talking about. Olivia, stunned, replies that it's nothing; she's been working too hard. She says thanks and leaves with the $25 worth in coins.

Outside, Olivia tells Morrie that it wasn't Mr. Whittaker. There's no way they can raise the money now. Morrie says she'll have to ask for a refund. Even though Olivia promised everyone, unless she has $250 just sitting around somewhere, there's no other choice. With that observation, Olivia asks Morrie to tell everyone that they're going to the festival. "But where are you going to get the money?" "Leave that to me," she answers as she rushes off.

Zoe and Suzu confront Olivia at her house, with Zoe demanding to know where Olivia got the money. Suzu says that Olivia had mentioned she raised more than $250 for a church program, suggesting that Olivia may have used that money. Olivia hands Zoe an envelope with $262.34 — the money for the church — proving that she didn't take it from there. Zoe presses her further and eventually Olivia blurts out that she took it out of her college fund, a private account she made for herself. She made a promise and needed to keep it. With that, she turns over the club presidency to Zoe, who she says will be much more level-headed.

That night while preparing for bed, Morrie and Suzu are discussing the conversation with Olivia. Suzu explains that Olivia didn't need the drama club to pay the $250 back to her. "Unbelievable," Morrie says. "She really is one of those people who practices what she preaches. At least this time." Suzu agrees. Then Morrie wonders, "Wouldn't it be weird if that Jordan guy called her up after the festival to give her the money?" Suzu stops. "Jordan guy? … How did you know his name?" "I guess Olivia told me." "She didn't tell me!" "Are you sure?" "Morrie! Did you have anything to do with this?" Morrie's response is to explain that Olivia was chosen because she promised they would attend the festival. Suzu believed in her, and she came through. She motivated the club and raised $250. And when Olivia could have done something wrong and used the church money, she made a harder decision and used her money to keep her promise. "And what was it that really motivated her to jump into action?" Morrie asks. "The call from the 'Jordan guy,'" Suzu admits. Then Morrie reaches his conclusion: "So let me ask you: is everything the drama club did, and that Olivia did, and what she didn’t do; is all of that … good?" "Well," Suzu thinks, "I suppose … yes." "Then instead of being suspicious of your brother, why can’t you think of him as someone who brings out the good in people?"

Related Official Podcasts

Jesse Florea: Morrie also will be appearing in Clubhouse Magazine in the Jones & Parker Mysteries that one of the Odyssey writers, Bob Hoose, writes for the Clubhouse Magazine.
Bob Hoose: Let me put it this way: sometimes characters are much like mysteries. […] Sometimes we give clues as to who people are and what they’re doing, and it comes bit-by-bit, piece-by-piece, and we’re continuing to do that. So you’re gonna see these characters and you’ll learn with each show that they’re in, you’re gonna learn more about who they are and what's goin’ on.
Bob Hoose: [Will Morrie and Suzu have an arc like Novacom?] Well, the answer to that is… yeah. It is sort of an arc, of sorts, that will span a number of different albums, and we will slowly start to reveal more and more about especially Morrie and Suzu.
[Will Morrie be Emily’s nemesis in the future?] I think that’s a very good guess.… […] One other thing that I’ll throw out there, for fans, about Morrie and Suzu: […] I’ve also been working on some of the little “mini mysteries,” the Emily and Matthew mysteries in the Clubhouse Magazine, and there are some… references that… could tie to what [the question is asking] now too, just to throw that out as… just another little set of hints.

Nathan Hoobler: […] “Read Clubhouse and keep listening” is what we’re saying.

Phil Lollar: [about a new villain for Whit] We’ve been talking about doing different things with different characters and bringing in different kinds of characters, so… you’ll just have to stay tuned and find out.

Bob Hoose: In fact, we were just talking this morning about another potential villain in Odyssey, and that villain is a… kid.

Related Clubhouse Issues

Emily’s Nemesis (by Bob Hoose) (2017)
Mysteries with Suzu (by Bob Hoose) (2018)
The Nemesis’ Haiku (by Bob Hoose) (2018)
Interview with Atticus Shaffer (2018)
Emily’s Nemesis (by Stephen O'Rear) (2019)


Date Event
July 21, 2016 #802: “Parker for President” is released
August 4, 2016 #804: “The Key Suspect” is released
November 5, 2016 #802: “Parker for President” airs
November 9, 2016 Official Podcast 264
November 19, 2016 #804: “The Key Suspect” airs
November 22, 2016 Official Podcast 265
ca. January 2017 January 2017 Clubhouse Magazine
February 1, 2017 Official Podcast 270
ca. April 2017 April 2017 Clubhouse Magazine
June 6, 2017 Official Podcast 279
ca. October 2017 October 2017 Clubhouse Magazine
January 3, 2018 #833: “The Secret of the Writer's Ruse” is released
ca. February 2018 February 2018 Clubhouse Magazine
ca. April 2018 April 2018 Clubhouse Magazine
April 14, 2018 #833: “The Secret of the Writer's Ruse” airs
ca. May 2018 May 2018 Clubhouse Magazine
August 2, 2018 #853: “The Good in People” is released
ca. November 2018 November 2018 Clubhouse Magazine
November 3, 2018 #853: “The Good in People” airs
ca. May 1, 2019 May 2019 Clubhouse Magazine
July 30, 2019 #877: “A Sacrificial Escape” is released
TBA #877: “A Sacrificial Escape” airs
TBA #88?: “Further from the Truth” is released
TBA #88?: “Further from the Truth” airs